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Issue 27

Issue Date: July, 1973
Guest Editor: Robin Skelton and Derk Wynand
Pages: 148
Number of Contributors: 32

Cover of issue #27

Issue #27 offers up a sumptuous sampling of international fare starting with its mesmerizing cover image titled “Revolver II” by the late Australian poet Alan Riddell.  This high-impact example of visual concrete poetry seems to suggest that the content of the issue might in some way revolve around the notions of love and war in all of their temptations, manifestations and translations. 

Jan Wolker’s “Serpentina’s Petticoat,” translated from the Dutch by Felix J. Douma, challenges readers with a raw but humorous depiction of death courtesy of Bon Louis, the narrator’s infamous uncle. The Occupation may have been a time of rampant scarcity, however, Bon Louis never seems to run out of stories to tell. His death proves to be the most colourful story of all.

Of particular interest is Paul Hills’ critical study titled “The Romantic Tradition in David Jones.” In it, he suggests that British artist/poet Jones (1895-1974) “belongs to no school” and “fits no categories.” Readers can decide for themselves by viewing the impressive selection of Jones’ works spanning the years 1925-1949. 

Poetry translated from French, German, Polish, Serbo-Croatian and Portuguese are represented by no fewer than 16 poets including: Reiner Kunze, Zbigniew Herbert, Yiannis Ritsos, Dragutin Tadijanovic and Alvaro di Campos. 

Distinguished contributors not requiring translation include the Scottish poet W. S. (William Sydney) Graham (1918-1986) and British-born ex-pat novelist Laurence Durrell (1912-1990), author of The Alexandria Quartet, with two poems.

Fans of both John Ruskin and Samuel Beckett can delve a little deeper via book reviews by Paul H. Walton and Eugene Webb. In “The Drawings of John Ruskin,” Walton examines the leading English art critic of the Victorian era (who also just happened to be an accomplished writer, draughtsman, watercolorist, esteemed social thinker and philanthropist). In “The Plays of Samuel Beckett,” Webb discusses avant-garde Irish novelist, poet, playwright and recipient of both the Nobel Prize for Literature (1969) and the Croix de Guerre (1945). Another notable novel, Thomas Pynchon’s now classic Gravitys Rainbow, just released in 1973, is also reviewed here by Peter Stevens.

—Robin Reniero